Ex-NYPD school safety agent's new film 'The Security Guard,' explores shootings, gun control laws
Abc7 New York - Dec 18th, 2024
Former NYPD school safety agent Wilfred La Salle has created a film titled 'The Security Guard' that addresses the issue of school shootings from the perspective of everyday individuals like a security guard. The movie, set in New York City, highlights the reality and unpredictability of gun-related incidents in schools, even in areas with strict gun laws. La Salle, who spent 17 years with the NYPD, aims to contribute to the national debate on gun control by presenting a balanced view of the issue. The release of the film coincides with a recent tragic school shooting in Wisconsin, underscoring the urgency of the discussion.
RATING
The article provides an insightful look into a film addressing the sensitive topic of school shootings through the perspective of a former NYPD school safety agent turned filmmaker. While it covers an important issue and offers a unique viewpoint, the article could benefit from additional corroboration of facts and perspectives to enhance its credibility and depth.
RATING DETAILS
The article appears to accurately describe the film and the filmmaker's intentions. However, it lacks verifiable sources or data to support some of its claims, such as the statistic mentioned from the American Academy of Pediatrics.
The article primarily presents the perspective of the filmmaker without exploring opposing viewpoints or a broader context of the gun control debate. Including more diverse perspectives could have improved balance.
The article is clearly written and logically structured. It effectively communicates the filmmaker's perspective and the thematic elements of the film without using emotive language.
The article does not reference any external sources beyond a mention of a study by the American Academy of Pediatrics, which is not detailed or linked. This limits the evaluation of source quality.
The article is somewhat transparent in its reporting but lacks information about the filmmaker's potential biases or affiliations. More disclosure about the film's production or funding could provide clarity.